with Savannah Conley
Reserved Seating Available
All Ages Show
COVID-19 POLICYBased on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Other shows on our calendar may still have specific health and safety requirements based on artist request. Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.
BAG POLICYSmall personal purses / clutches / fanny packs (max size 6.5" x 4.5" x 1") or clear plastic bags (max size 12″ x 12″ x 6″) are the only carry-in bags that are allowed. We encourage you to pack light with only the necessities to make the entry process as smooth as possible. Exceptions will be made for necessary medical equipment and bags for nursing mothers.
CASHLESS POLICYWe are a cashless facility meaning that we are unable to accept cash as a form of payment.
• Our Box Office, Coat Check, and Venue Merch will only accept credit and debit.
• Our Bars will only accept credit, debit, Apple Pay, and Google Pay.
Please note that artist merchandise sales are separate and may still accept cash.
I DONT KNOW HOW BUT THEY FOUND ME, or iDKHOW is the new project led by frontman, multi-instrumentalist, and mastermind Dallon Weekes. The group has yet to release their debut album but already have a string of hit singles under their belt including “Choke”, which clocked over 42 million Spotify streams and “Do It All The Time”, which posted up 22 million Spotify streams as well as a debut EP, 1981 Extended Play that impressively bowed at #1 on the Billboard Top Heatseekers Albums Chart. They have earned acclaim from Ones To Watch, DIY Magazine, Alternative Press, and graced the cover of Rock Sound, the magazine proclaimed iDKHOW, “the hottest unsigned band in the world.”
Dallon Weekes made waves in Panic! At The Disco from 2009-2018, touring around the world and picking up Gold and Platinum plaques as a key songwriter on the chart-topping Too Weird to Live, Too Rare to Die! and more. In 2016, he introduced iDKHOW at a small show in Los Angeles before denying its existence for months to follow. The project formally revealed itself prior to hitting the road and performing on the mainstage at UK’s Reading and Leeds Festivals as well as sharing stages with the likes of Twenty One Pilots, The 1975, Billie Eilish, The Killers, The National and Blink 182, just to name a few.
With a curated storyline – iDKHOW was initially believed to have been a band from 30 plus years ago that never got their big break. A band that time forgot. But in 2017, an anonymous donor began to release recovered video footage of iDKHOW. The videos, released out of chronological order, span the years 1964 to 1983 and hint to a different story than that of a band lost to obscurity. As this footage of iDKHOW has surfaced in the past three years, fans, music historians and conspiracy theorists have converged on internet platforms to debate the story of iDKHOW.
Cleanse is Joywave’s fourth studio album and is the follow-up to 2020’s Possession which released on March 13th 2020 as the world shut down. With a virus ravaging the world and no possibility of touring for the foreseeable future, Joywave frontman Daniel Armbruster was once again able to dig into his own psyche and see what surfaced. The 10 tracks that make up Cleanse were conceived, written and recorded in Armbruster’s home studio when “reminders of our fragile mortality were everywhere, punctuated by the ongoing pandemic and civil unrest,” he notes. “Cleanse became the words, encouragement, and occasional cautions that I would want to share with you if this was the last time we spoke,” Armbruster reflects. Highlights on the album include the catchy and clever “Buy American, “ the introspective “After Coffee” which celebrates the pleasures of the mundane, the ambient groove of “Pray For The Reboot,” the brooding and expansive “The Inversion” and “Every Window Is A Mirror” which according to Armbruster recalls “our inability to understand the experiences of others.”