June 08, 2019
94.1 JJO Presents

A Day To Remember

Raisin' Hell In The Heartland Tour 2019
with Knocked Loose, Boston Manor
June 08, 2019
Doors: 7:00 pm / Show: 8:00 pm
The Sylvee
$35 General Admission SOLD OUT
Reserved Seating Available

All Ages Show

A Day To Remember

Over the course of the past several years, each of A Day To Remember’s releases have hit No. 1
on Billboard’s Rock, Indie and/or Alternative Charts. They’ve also sold more than a million units,
racked up over 400 million Spotify streams and 500 million YouTube views, garnered two goldselling
albums and singles (and one silver album in the UK) and sold out entire continental tours
(including their own curated Self Help Festival), amassing a global fanbase whose members
number in the millions. All of which explains why Rolling Stone called them “An Artist You Need
To Know.” In other words, their creative process has worked and worked well.

But for new album Bad Vibrations, the Ocala, Florida-based quintet of vocalist Jeremy
McKinnon, guitarists Kevin Skaff and Neil Westfall, bassist Joshua Woodard and drummer Alex
Shelnutt switched gears and headed for uncharted territory. Their path included a loose and
much more collaborative songwriting process, one that also saw them recording for the first
time with producers Bill Stevenson (Descendents, Black Flag) and Jason Livermore (Rise Against,
NOFX). And though the album’s being released on the band’s own ADTR Records (like 2013ʹs
Common Courtesy), this record marks their first distribution deal with Epitaph and is the first
time they’ve worked with Grammy winner Andy Wallace (Foo Fighters, Slayer), who was
brought in to mix.

“We completely changed the way we wrote, recorded and mixed this album,” says vocalist
Jeremy McKinnon. “It was one of the most unique recording experiences we’ve ever had. We
rented a cabin in the Colorado mountains and just wrote with the five of us together in a room,
which was the polar opposite of the last three albums we’ve made. We just let things happen
organically and in the moment. I think it forever changed the way we make music. And working
with Bill was an awesome experience. He was a bit hard to read at first, so I think we
subconsciously pushed ourselves harder to try to impress him. As a result, we gave this album
everything we had.”

Recorded at Stevenson’s Fort Collins-based Blasting Room Studios, Bad Vibrations masterfully
channels the kinetic energy that recently found A Day To Remember named “The Best Live Band
Of 2015″ by Alternative Press. The band decided to forgo digitally driven production and focus
on live recording. “These days it seems like a lot of heavy sounding music is heading more and
more in a digital direction,” notes McKinnon. “That’s not necessarily a bad thing, but we wanted
to go the opposite way and make something that’s aggressive but has more of a natural flow
and feel to it.”

By powering Bad Vibrations with so much raw passion, A Day To Remember ultimately deliver
some of their most emotionally intense material to date. “I’m like a child screaming in a room
when I write,” laughs McKinnon. “I’m singing about the things that are frustrating me, but at
some point there’s an arc within the song. It’s almost like I’m giving advice to another person
about whatever I’m struggling with, but I think I’m really just trying to give that advice to
myself.”

The catharsis-inducing album sees the band tackling duplicity and deception (on the gloriously
frenzied ‘Same About You’), the destructive nature of judgmental behavior (on ‘Justified,’ a track
shot through with soaring harmonies and sprawling guitar work), addiction (on the darkly
charged ‘Reassemble’), and friendship poisoned by unchecked ego (on ‘Bullfight,’ a track with a
classic-punk chorus that brilliantly gives way to a Viking-metal-inspired bridge).
‘Paranoia,’ one of the most urgent tracks on Bad Vibrations, fuses fitful tempos and thrashing
riffs in its powerful portrait of mental unraveling—an idea born from the band’s commitment to
close collaboration in making the album. “Originally it was a joke song about someone being
paranoid, but then Neil and Kevin and I started brainstorming lyrics together, which we’d never
done before,” recalls McKinnon. “It ended up being shaped so that the verse is a person talking
to a psychiatrist, the pre-chorus is the psychiatrist talking back to that person, and then the
chorus is paranoia personified. The whole thing just exploded and came together in this really
cool way.”

On ‘Naivety,’ the band slips into a melancholy mood that’s perfectly matched by the song’s
bittersweet, pop-perfect melody. Says McKinnon, “It’s about that journey when you’re getting
older and starting to view the world as a little less magical than you used to, and you’re missing
that youthful enthusiasm from when you were a kid.”

Ultimately, McKinnon says that this particular album-making process breathed new life into the
band. “Breaking out of our comfort zone and working in a less controlled way, we ended up
making something that feels good to everyone, and we can’t wait to go out and tour on it,” he
says. “I think a big part of why our music connects with people is that they’re able to get such an
emotional release from our songs. And while most of the songs are me venting about
whatever’s affecting me at the time, people who are going through something similar can see
that it’s coming from a real, honest place. That’s really the core of what A Day To Remember has
always been.”

A Day To Remember’s new album, Bad Vibrations, is available now on ADTR Records.

Knocked Loose

Boston Manor